The Louisiana Bucket Brigade is a non-profit environmental health and justice organization working with communities that neighbor oil refineries and chemical plants. The Bucket Brigade helps communities hold these industries accountable for pollution by providing assistance with community organizing, education, media outreach, and gathering evidence against industry, including training communities to use an EPA-approved “bucket” to conduct air sampling in order to document toxic air pollution.

Please join us on April 3 & 4 to hear representatives from the Bucket Brigade discuss their environmental justice work.

PUBLIC TALKS:

Wednesday, April 3, 6:00 pm

Student Center Room #111

Thursday, April 4, 3:30 pm

White Hall Classroom Building #231

Ronesha Johnson is a community member from Shreveport, LA and Environmental Justice Corps fellow with the Bucket Brigade.

Kristen Evans, MA joined the Bucket Brigade in 2011, working with Residents for Air Neutralization before she started the Bucket Brigade's Art-to-Action program.

These talks are part of the American Studies Program’s Environmental Justice Speaker Series.

Co-sponsored by American Studies, Appalachian Studies, and the Student Sustainability Council.

Everyone is invited to the English Graduate Student Organization (EGSO) Conference! 

8:00am - 8:45am Coffee & Pastry Welcome

8:45am - 10:00am Session 1: "Reading the Dickensian City"

10:15am - 11:30am Session 2A. "Examining Trauma: Representations in Film, Poetry, and Visual Literature"

Session 2B. “Post-Bellum, Pre-Harlem”

11:45am - 12:45pm Lunch at the Boone Center

1:00pm - 2:00pm Keynote, Dr. Leah Bayens - "The Consilience of Ecological Agrarianism" - Niles Gallery

2:15pm - 3:30pm Session 3: "Minds, Memories, and Publics, Medieval and Early Modern"

3:45pm - 5:00pm Session 4: "Stardom"



Post-conference pizza and drinks will be held at Pazzo's -- all are welcome!

 

Set in a fictional hill-domain resembling our own Appalachia, Ancient Creekfollows the struggles of native hill folk against colonialist invaders. The hero Jack, familiar from the Jack tale tradition, is the fugitive leader of the people's revolt and the nemesis of the King. Wounded survivors of the revolution find solace and healing on Ancient Creek where old Aunt Haze is the guiding spirit. This edition also includes essays about the story by Jim Wayne Miller, Kevin I. Eyster, Annalucia Accardo, and Dee Davis, founder of the Center for Rural Strategies, who will be joining Gurney at the event.

Location: 

882 E High St

Lexington , Kentucky 40502

Derek Gregory, University of British Columbia: “Gabriel's War: Cartography and the Changing Art of War"

January 25, 2pm

Lexmark Room, Main Building

      Dr. Derek Gregory is a member of the Department of Geography and one of two Peter Wall Distinguished Professors at the Peter Wall Institute for Advanced Studies at the University of British Columbia in Vancouver, Canada.  Dr. Gregory trained as an historical geographer at the University of Cambridge. His research focused on the historical geography of industrialization and on the relations between social theory and human geography and explored a range of critical theories that showed how place, space, and landscape have been involved in the operation and outcome of social processes. His 1982 book, Regional Transformation and Industrial Revolution, was staged on the classic ground of E.P. Thompson’s Making of the English Working Class. Following a move to Vancouver in 1989, Gregory’s work was reinforced by postcolonial critique, outlined in his 1989 book Geographical Imaginations. This new phase of work owed much to Edward Said’s critique of Orientalism, but it was much more concerned with the corporeality and physicality of travel – with embodied subjects moving through material landscapes – and with the constantly changing (often mislaid) cultural baggage of the travelers. And it paid attention what travelers mapped, sketched, and photographed – and to the consequences these representations had for their encounters.

This work on travel and travel writing was interrupted by the terrorist attacks on the World Trade Center and the Pentagon on 11 September 2001, and the focus of his research shifted to the present. Drawing on his training as an historical geographer and his sense of the renewed power of Orientalism, Dr. Gregory traced the long history of British and American involvements in the “Middle East,” and showed how these affected the cultural, political, and military responses to 9/11. The Colonial Present: Afghanistan, Palestine, Iraq (2004) showed how war quite literally takes place, and described in detail the violent ‘taking of places’ not only in Afghanistan and Iraq but in occupied Palestine. The study showed how the conduct of war connects the abstractions of geopolitics – the pronouncements of politicians, the strategies of generals – to the lives and deaths of countless ordinary men and women.

His forthcoming book, The Everywhere War, shows how the conduct of war is shaped by the spaces through which it is conducted; ranging from the global war prison at Guantanamo Bay through counterinsurgency in Baghdad and the drone wars in Afghanistan/Pakistan. His new research project, Killing space, is a critical study of the techno-cultural and political dimensions of air war. It focuses on three major campaigns: the combined bombing offensive against Germany in the Second World War, America’s air wars over Indochina, and the present use of UAVs in Afghanistan/Pakistan, Somalia, Yemen, and elsewhere.  It pays particular attention to the changing ways in which cities (and eventually people) have been visualized as targets within what is now called the ‘kill-chain,’ and to the different ways in which the media have represented and reported bombing to different publics.

Derek Gregory, University of British Columbia: “Gabriel's War: Cartography and the Changing Art of War"

January 25, 2pm

Lexmark Room, Main Building

      Dr. Derek Gregory is a member of the Department of Geography and one of two Peter Wall Distinguished Professors at the Peter Wall Institute for Advanced Studies at the University of British Columbia in Vancouver, Canada.  Dr. Gregory trained as an historical geographer at the University of Cambridge. His research focused on the historical geography of industrialization and on the relations between social theory and human geography and explored a range of critical theories that showed how place, space, and landscape have been involved in the operation and outcome of social processes. His 1982 book, Regional Transformation and Industrial Revolution, was staged on the classic ground of E.P. Thompson’s Making of the English Working Class. Following a move to Vancouver in 1989, Gregory’s work was reinforced by postcolonial critique, outlined in his 1989 book Geographical Imaginations. This new phase of work owed much to Edward Said’s critique of Orientalism, but it was much more concerned with the corporeality and physicality of travel – with embodied subjects moving through material landscapes – and with the constantly changing (often mislaid) cultural baggage of the travelers. And it paid attention what travelers mapped, sketched, and photographed – and to the consequences these representations had for their encounters.

This work on travel and travel writing was interrupted by the terrorist attacks on the World Trade Center and the Pentagon on 11 September 2001, and the focus of his research shifted to the present. Drawing on his training as an historical geographer and his sense of the renewed power of Orientalism, Dr. Gregory traced the long history of British and American involvements in the “Middle East,” and showed how these affected the cultural, political, and military responses to 9/11. The Colonial Present: Afghanistan, Palestine, Iraq (2004) showed how war quite literally takes place, and described in detail the violent ‘taking of places’ not only in Afghanistan and Iraq but in occupied Palestine. The study showed how the conduct of war connects the abstractions of geopolitics – the pronouncements of politicians, the strategies of generals – to the lives and deaths of countless ordinary men and women.

His forthcoming book, The Everywhere War, shows how the conduct of war is shaped by the spaces through which it is conducted; ranging from the global war prison at Guantanamo Bay through counterinsurgency in Baghdad and the drone wars in Afghanistan/Pakistan. His new research project, Killing space, is a critical study of the techno-cultural and political dimensions of air war. It focuses on three major campaigns: the combined bombing offensive against Germany in the Second World War, America’s air wars over Indochina, and the present use of UAVs in Afghanistan/Pakistan, Somalia, Yemen, and elsewhere.  It pays particular attention to the changing ways in which cities (and eventually people) have been visualized as targets within what is now called the ‘kill-chain,’ and to the different ways in which the media have represented and reported bombing to different publics.

Films of the Perestroika period--1980s-1990s

Films of the Perestroika period--1980s-1990s

Networked Humanities: From Within and Without the University

A Digital Humanities Symposium

February 15-16, 2013

The University of Kentucky

Writing, Rhetoric, and Digital Media Program

Keynote Speakers:

Kathleen Stewart, Professor of Anthropology, University of Texas

Malcolm McCullough, Professor of Architecture, University of Michigan

Of all the topics of interest to the digital humanities, the network has received little attention among digital humanities proponents.  Yet, we live in a networked society: texts, sound, ideas, people, movements, consumerism, protest movements, politics, entertainment, academia, and other items circulate in networks that come together and break apart at various moments. While there exist networked spaces of interaction for digital humanities work – such as HASTAC or specific university centers -  we still must consider how networks affect traditional and future goals of humanities work. Have the humanities sufficiently addressed the ways their work, as networks, affect other networks, within and outside of the humanities? What might be a networked digital humanities or what is it currently if it does, indeed, exist? Can an understanding of the humanities as a series of networks affect – positively or negatively - the ways the public perceive its research, pedagogy, and mission?

The University of Kentucky’s Writing, Rhetoric, and Digital Media Program invites proposals for a two day symposium devoted to discussion of the implications of a networked digital humanities. The symposium will bring together academic and professional audiences in order to rethink the taxonomy of humanities so that we emerge with a network of people and ideas beyond the traditional taxonomy of “humanities” work. Thus, talks will not be limited to traditional humanities areas of study. 

Possible topics might include (but are not limited to):

·      Public humanities work

·      Networks among disciplines

·      Ecologies

·      Animal and human networks

·      Online spaces

·      Mapping/Geography

·      Economics and the humanities

·      Labor and the humanities

·      Digital production of texts

·      Community work

·      Workplace organization

·      The university as network

·      Archives and Obsolescence

February 15-16, 2013

Panels, roundtables, performative pieces, and alternative forms of delivery are welcome and encouraged.

No registration fee to attend or present. Please send 250 word proposals to  Jeff Rice j.rice@uky.edu  by September 1, 2012.

Networked Humanities: From Within and Without the University

A Digital Humanities Symposium

February 15-16, 2013

The University of Kentucky

Writing, Rhetoric, and Digital Media Program

Keynote Speakers:

Kathleen Stewart, Professor of Anthropology, University of Texas

Malcolm McCullough, Professor of Architecture, University of Michigan

Of all the topics of interest to the digital humanities, the network has received little attention among digital humanities proponents.  Yet, we live in a networked society: texts, sound, ideas, people, movements, consumerism, protest movements, politics, entertainment, academia, and other items circulate in networks that come together and break apart at various moments. While there exist networked spaces of interaction for digital humanities work – such as HASTAC or specific university centers -  we still must consider how networks affect traditional and future goals of humanities work. Have the humanities sufficiently addressed the ways their work, as networks, affect other networks, within and outside of the humanities? What might be a networked digital humanities or what is it currently if it does, indeed, exist? Can an understanding of the humanities as a series of networks affect – positively or negatively - the ways the public perceive its research, pedagogy, and mission?

The University of Kentucky’s Writing, Rhetoric, and Digital Media Program invites proposals for a two day symposium devoted to discussion of the implications of a networked digital humanities. The symposium will bring together academic and professional audiences in order to rethink the taxonomy of humanities so that we emerge with a network of people and ideas beyond the traditional taxonomy of “humanities” work. Thus, talks will not be limited to traditional humanities areas of study. 

Possible topics might include (but are not limited to):

·      Public humanities work

·      Networks among disciplines

·      Ecologies

·      Animal and human networks

·      Online spaces

·      Mapping/Geography

·      Economics and the humanities

·      Labor and the humanities

·      Digital production of texts

·      Community work

·      Workplace organization

·      The university as network

·      Archives and Obsolescence

February 15-16, 2013

Panels, roundtables, performative pieces, and alternative forms of delivery are welcome and encouraged.

No registration fee to attend or present. Please send 250 word proposals to  Jeff Rice j.rice@uky.edu  by September 1, 2012.

GWS Research Matters Series presents:

Melissa Stein

"Bodies of Knowledge:  Historical Perspectives on Race, Gender, and Biological Determinism"